By strategically taping, pouring, sanding, trowelling, and dripping oil paint onto canvas or archival paper, Marcelyn McNeil orchestrates the converging of forms that are simultaneously perceived as flat and having mass. While suggestive of amorphous architecture, the inanimate shapes emit a bodily presence, forming playful relationships with each other and resulting in a curious and engrossing visual experience.
"The Queen of Conflation" by Nancy Zastudil, Arts & Culture
"Lemonworld" review by Rachel Hooper, Art LTD. Magazine

More Works In

March 28, 2015 - April 25, 2015
December 3, 2013 - December 31, 2013
April 26, 2013 - May 25, 2013
March 2, 2012 - March 31, 2012